Contesting syari'ah in the feed: Gender performativity, haram profit, and moral crisis among Acehnese digital celebrities
DOI:
https://doi.org/10.22373/equality.v11i2.32002Keywords:
Gender Performativity, Islamic Law (Syari'ah), Digital Media (Instagram), Commodification, Acehnese CultureAbstract
The purpose of this study is to examine the controversy surrounding content produced by feminine male Instagram celebrities in Aceh, being perceived to conflict with the region's cultural and religious values. These influencers create content by dressing in women's clothing, using feminine accessories, and adopting female speech patterns. Despite this, their endorsements are widely used by businesses in Aceh, including by a local university. This shows that the feminine brand they have cultivated has successfully attracted an audience, even though the content itself contradicts established cultural and religious values. The content is fully commodified to gain financial profit. The method used in this research was virtual ethnography with four levels of data analysis: media space, media documents, media objects, and experiences. Additional data were obtained through interviews with two cultural figures and two religious leaders to strengthen the findings. The results of the study indicated that the content uploaded by these feminine male celebrities undermines Acehnese cultural values and violates Islamic religious values. The content shows a shift in original gender roles from male to female. This phenomenon of feminine male content is considered an identity crisis among Instagram celebrities, who can influence others through the content they produce. From a religious perspective, this content can damage the foundation of life, as seen in the Hadith of the Prophet Muhammad that prohibits men from dressing and appearing as women. Furthermore, the financial profits obtained are considered haram (unlawful) because the process of earning the money is not permitted by Islam.
References
An-Nawawi, I. (2018). Riyadhush Shalihin. Bekasi: Darul Haq.
Basarah, F. F., & Romaria, G. (2020). Perancangan konten edukatif di media sosial. Jurnal Abdi Masyarakat (JAM), 5(2), 22-29. https://doi.org/10.22441/jam.2020.v5.i2.006
Bastian, C. S. (2019). Kickfest sebagai pergerakan dan budaya populer. Komunikasi Budaya dan Dokumentasi Kontemporer. Bandung: Unpad Press.
Bening, E., Zahra, B. N., Zufar, B. N. F., & Ahmad, P. M. (2023). Bagaimana media sosial menghancurkanmu. Yogyakarta: Semut Api.
Butler, J. (1990). Gender trouble: Feminism and the subversion of identity (Vol. 46). New York: Routledge.
Danial, D. (2024). Pidato pengukuhan: Peta jalan pelaksanaan syari’at Islam di Aceh (Mendekatkan idealitas Islam dan realitas kehidupan masyarakat Aceh).
Fazry, M. H. (2023). Fenomena crossdressing selebgram dalam membangun eksistensi di media sosial (Studi kasus pada selebgram Palembang). Jurnal Studi Ilmu Komunikasi, 2(2), 55–61.
Harnadi, A. V. (2017). Analisis konten serial film animasi Upin dan Ipin musim 8 ditinjau dari prinsip desain pesan pembelajaran. Jurnal Prodi Teknologi Pendidikan, 6(4), 383-392.
Ismail, F. (2024). Public’s perception of the implementation of shari’a in Aceh (A phenomenological study on the implementation of Islamic Shari’a in the city of Banda Aceh). Jurnal Adabiya, 26(1), 99-109. https://doi.org/10.22373/adabiya.v26i1.20312
Istiqomah, A., & Widiyanto, D. (2020). Ancaman budaya pop (pop culture) terhadap penguatan identitas nasional masyarakat urban. Jurnal Kalacakra: Ilmu Sosial dan Pendidikan, 1(1), 47-54. https://doi.org/10.31002/kalacakra.v1i1.2687
Kemp, S. (2024). Digital 2024: Global overview report. Datareportal.com.
Marzuki, M. (2014). Tradisi meugang dalam masyarakat Aceh: Sebuah tafsir agama dalam budaya. El-Harakah (Terakreditasi), 16(2), 216-233.
https://doi.org/10.18860/el.v16i2.2781
Nasrullah, R. (2016). Teori dan riset media siber (cybermedia). Jakarta: Kencana.
Nasrullah, R. (2017). Etnografi virtual (riset komunikasi, budaya dan sosioteknologi di internet). Bandung: Simbiosa Rekatama Media.
Nono, I. Y., Dewi, A. A. S. L., & Seputra, I. P. G. (2021). Penegakan hukum terhadap selebgram yang mempromosikan situs judi online. Jurnal Analogi Hukum, 3(2), 235–239. https://doi.org/10.22225/ah.3.2.2021.235-239
Novianti, N., & Darmawan, D. R. (2024). Men’s skincare trends: Korean wave hyperreality media men’s beauty standards. Gender Equality: International Journal of Child and Gender Studies, 10(2), 168-178. https://doi.org/10.22373/equality.v10i2.25075
Nurmansyah, I. (2019). Resepsi dan transmisi pengetahuan dalam film Papi dan Kacung episode 8-11: Sebuah kajian living hadis. AL QUDS: Jurnal Studi Alquran dan Hadis, 3(2), 97. https://doi.org/10.29240/alquds.v3i2.1072
Octaviani, S. A. (2021). Performativitas dan komodifikasi androgini di media sosial. Jurnal Kawistara, 11(2), 186-197. https://doi.org/10.22146/kawistara.v11i2.65442
Pratiwi, M. S. P., Erdiansyah, E., & Robyardi, E. (2022). Pengaruh lifestyle, selebgram dan costumer review terhadap keputusan pembelian di media sosial instagram (Studi eksplanatif pada followers selebgram Palembang@ Jihannabilaaaaa). Jurnal Manajemen dan Investasi (MANIVESTASI), 4(2), 238-247. https://doi.org/10.31851/jmanivestasi.v4i2.13226
Ramadhan, A. K. (2024). Keterbukaan diri laki-laki feminim sebagai representasi androgini di TikTok (Analisa wacana kritis dalam perspektif gender trouble). Malang: Universitas Muhammadiyah Malang.
Rozi, F. (2023). Tabayyun digital: Dialektika algoritma dan penggunaan media sosial konten islami (N. I. Vita, Ed.). Medan: UMSU Press.
Sari, I. N., Lestari, L. P., Kusuma, D. W., Mafulah, S., Brata, D. P. N., Iffah, J. D. N., Widiatsih, A., Utomo, E. S., Maghfur, I., Sofiyana, M. S., & others. (2022). Metode penelitian kualitatif. Unisma Press.
Shimp, T. A. (2014). Komunikasi pemasaran terpadu dalam periklanan dan promosi. Jakarta: Salemba Empat.
Simaibang, E. W. A., & Bajari, A. (2019). Representasi Male Feminist oleh Aliansi Laki-laki Baru di Media Sosial: Studi Etnografi Virtual Laki-laki Feminis oleh Aliansi Laki-laki Baru di Twitter@ lakilakibaru. Linimasa: Jurnal Ilmu Komunikasi, 2(2), 1-21. https://doi.org/10.23969/linimasa.v2i2.1685
Sudibyo, A. (2023). Bernalar sebelum klik: Panduan literasi digital (C. Gautama, Ed.). Jakarta: Kepustakaan Populer Gramedia.
Sulaeman, A. R. (2025). Krisis moral bermedsos. Serambinews.com. https://www.serambinews.com
Usman, I. (2021). Tafsir dan budaya. Tafse: Journal of Qur’anic Studies, 6(2), 243–252.
Yens, D., Syhada, N. H., Rajaby, W., Fauzi, R. A., Putra, E., Maulana, M. F., & Lestari, P. (2025). The social construction of beauty in the digital era: Gen Z’s interpretation of beauty standards in Jakarta. Nursing Management (Harrow, London, England: 1994), 23(9), 122-139. https://doi.org/10.7748/nm.23.9.12.s14
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Hanifah Nurdin, Syukur Kholil, Farhan Indra

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
GENDER EQUALITY: International Journal of Child and Gender Studies allows the author(s) to hold the copyright and to retain the publishing rights without restrictions. Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.